a stone from a riverbed sits on the shelf for years.
it is time embodied in material.
it is built to stay.

Dhyai

Collection · I

Sthiti

स्थिति

— to be settled, completely. The first collection. A design where colour and form have stopped moving against each other and simply arrived. A grid that holds its ground. A floral medallion that punctuates, not decorates.

The bedroom. The dining table. The room you return to without thinking.

Sthiti

Bedsheet

King 108×108″ · Queen 90×108″

Made to order · Delivered worldwide

Sthiti

Dohar

Pure mulmul · 90×108″

Made to order · Delivered worldwide

Sthiti

Bedcover

Slub cotton · 90×108″

Made to order · Delivered worldwide

Sthiti

Table Cover

Cotton · Single design

Made to order

Collection · II

Sthana

स्थान

— the place. The same vocabulary, now in a single family of colour. Five depths of green, from dark to almost nothing. Where Sthiti speaks, Sthana simply occupies.

For rooms where the cloth should feel like it was always there.

Sthana

Dohar

Pure mulmul · 90×108″

Made to order · Delivered worldwide

Sthana

Bedcover

Slub cotton · 90×108″

Made to order

Sthana

Table Linen

Runner · Placemats · Napkins

Made to order

Collection · III

Punar

पुनर्

— once more. The vocabulary returns, lighter. A palm enters the composition — unhurried, particular. More air between the forms.

Not a repeat. A reconsideration.

Punar

Dohar

Pure mulmul · 90×108″

Made to order · Delivered worldwide

Punar

Bedsheet

King 108×108″ · Queen 90×108″

Made to order · Delivered worldwide

Metal

The Pebble Set

A pebble from a riverbed — held in the hand once, understood completely. Two jars on a tray: one narrow, one wide. Hand-cast brass for the daily table.

The patina is the accumulation of every time the object was picked up.

Pebble Jar Set

Hand-cast brass · Tray 154×90mm

Made to order · Delivered worldwide

KL-01

Kalash

Water in brass changes. The vessel holds that change. A full belly, a cast shoulder, a steadiness that requires no explanation.

KL-01

Kalash

Hand-cast brass · Engraved shoulder

Made to order · Delivered worldwide

Dhyai

© MMXXVI Dhyai Studio

About

Dhyai

Dhyai develops objects for long-term use.

The work begins with how an object holds: through handling, wear, and continued presence within a space.

Some objects mark a moment. Others remain after the moment has passed. Dhyai works with the latter.

The name ध्यै is Sanskrit — to fix the mind upon. It refers to attention that sustains without direction.

Each piece begins with material. Weight, texture, density, and the way a surface interacts with light are treated as primary conditions. Form is derived from these conditions.

The practice moves across cloth, cast metal, wood, ceramic, and glass. While the material changes, the approach remains consistent.

Objects are developed for use, handling, and retention. They enter gradually, settle over time, and remain without requiring explanation.
Dhyai

© MMXXVI Dhyai Studio

Swarna

Founder

Swarna

Swarna did not begin with objects. She began with a certain unease — with things that appeared complete, but carried no residue of being lived with.

DHYAI emerged from that discomfort. Not as a brand, but as a way of staying with questions that resist quick answers.

Her practice moves across disciplines, but never settles in one. Architecture offered structure. Psychoanalysis, a way of listening. Material, a surface that does not lie.

The work begins before form. In atmosphere. In what lingers without explanation.

From there, things are not designed as much as they are uncovered — through repetition, removal, and a refusal to resolve too quickly.

What remains is not an answer. Only something that holds.

There is no fixed aesthetic here. Only a way of seeing.

Not everything asks to be understood. Some things are meant to stay.

Founder

Swarna

Swarna did not begin with objects. She began with a certain unease — with things that appeared complete, but carried no residue of being lived with.

DHYAI emerged from that discomfort. Not as a brand, but as a way of staying with questions that resist quick answers.

Her practice moves across disciplines, but never settles in one. Architecture offered structure. Psychoanalysis, a way of listening. Material, a surface that does not lie.

The work begins before form. In atmosphere. In what lingers without explanation.

From there, things are not designed as much as they are uncovered — through repetition, removal, and a refusal to resolve too quickly.

What remains is not an answer. Only something that holds.

There is no fixed aesthetic here. Only a way of seeing.

Not everything asks to be understood. Some things are meant to stay.

Dhyai

© MMXXVI Dhyai Studio

Enquire

Get in touch

All pieces are made to order. Write with what you have in mind — a product, a size, a quantity, a question — and the conversation starts from there.

  • Email
    contact@dhyai.studio

    Orders, commissions, general enquiries

  • WhatsApp
    +91 83685 44393

    Quicker for back-and-forth on specifics

  • Studio

    Devanahalli, Bengaluru

    Not open to the public — visits by arrangement

  • Delivery

    Worldwide

    4–8 weeks from order confirmation depending on piece

Dhyai

© MMXXVI Dhyai Studio